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	<title>Ishani Gupta &#8211; Kalabodh</title>
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	<title>Ishani Gupta &#8211; Kalabodh</title>
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		<title>The Terracotta&#8230;</title>
		<link>https://kalabodh.com/the-terracotta-temples-of-bishnupur/</link>
		
		<dc:creator><![CDATA[Ishani Gupta]]></dc:creator>
		<pubDate>Thu, 19 Jun 2025 11:16:32 +0000</pubDate>
				<category><![CDATA[Blogger Scholar]]></category>
		<guid isPermaLink="false">https://kalabodh.org/?p=7819</guid>

					<description><![CDATA[The term 'terracotta' is rooted in the Latin expression...]]></description>
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                <h5 class="item--title st-default case-animate-time" data-wow-delay="ms">
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                THE TERRACOTTA TEMPLES OF BISHNUPUR
                
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			<style>/*! elementor - v3.22.0 - 17-06-2024 */
.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}</style>				<p>The term &#8216;terracotta&#8217; is rooted in the Latin expression &#8220;terra cotta,&#8221; translating to &#8216;baked earth. &#8216; Terracotta can be straightforwardly defined as earthenware based on clay. The history of terracotta stretches back thousands of years. From the Indus Valley Civilization to ancient Mesopotamia, and from Greek culture to Chinese dynasties, terracotta has been utilized widely by various peoples throughout history. <br /><br />Bishnupur literally means city of lord Vishnu. This may be derived from the fact that the kings of Bishnupur were followers of Vaisnavism. Bishnupur, a quaint town in West Bengal, is a true repository of terracotta clay artistry. Here, one can experience a mesmerizing blend of history and creativity. The town is famous for its remarkable terracotta temples and sculptures that date back centuries. Temples and sculptures from this period reveal elaborate terracotta designs, highlighting a distinctive amalgamation of Hindu and Buddhist elements.These intricate works tell stories of mythological figures and ancient legends, providing insight into the region&#8217;s abundant cultural legacy. The terracotta art of Bishnupur continues to enchant visitors, standing as a testament to the lasting impact of this exceptional craft.</p><p>The town boasts a distinguished history, flourishing during the 17th and early 18th centuries. Under the governance of the Malla dynasty&#8217;s Hindu Rajas, Bishnupur cultivated a distinct architectural style and is celebrated for perhaps the finest and most intricate terracotta craftsmanship in Eastern India, which has endured the test of time. The terracotta tiles found in its temples and sacred sites illustrate narratives from the Ramayana, Mahabharata, and other mythological tales. In addition to its temple design, Bishnupur is famed for the skill involved in its terracotta figures, ceramics, jewelry, and various ornamental items. Recently, artisans from Panchmura, a nearby town in Bankura, have been producing thousands of terracotta panels that replicate the bas-reliefs found on the terracotta temples of Bishnupur. </p>						</div>
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							<p>This temple honors Krishna and was built by Durjan Singh Dev in 1694. It is celebrated for its exquisite terracotta sculptures, illustrating events from Krishna&#8217;s life and various mythological tales.</p>						</div>
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			<div class="elementor-image-box-wrapper"><figure class="elementor-image-box-img"><img decoding="async" width="512" height="343" src="https://kalabodh.com/wp-content/uploads/2025/06/2-1.png" class="attachment-full size-full wp-image-7828" alt="" srcset="https://kalabodh.com/wp-content/uploads/2025/06/2-1.png 512w, https://kalabodh.com/wp-content/uploads/2025/06/2-1-300x201.png 300w" sizes="(max-width: 512px) 100vw, 512px" /></figure><div class="elementor-image-box-content"><p class="elementor-image-box-description">Fig.3: Radha Shyaam temple. (Image by Amitabha Gupta- https://amitabhagupta.files.wordpress.com/2012/08/picture101.jpg)
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							<p>The Radha Shyam Temple is dedicated to Radha and Krishna and was constructed by the Malla monarch Chaitanya Singh. The terracotta panels on the structure portray moments from the Radha-Krishna legend.</p><p>The temple construction was actively done until the mid-19th century, during which time a variety of temples featuring exceptional terracotta craftsmanship were constructed. However, from the early 19th century onward, Western influences began to significantly impact styles, themes, and characteristics. Various socio-economic factors contributed to a swift decline in both the quality and quantity of temple construction and terracotta artistry. <br /><br />Reports from the 18th century indicate that Bishnupur was home to as many as 450 terracotta and laterite stone temples. Currently, only about 20 of these structures have survived. These temples are included on UNESCO’s Tentative List. They undoubtedly draw visitors globally who seek to appreciate the distinct architectural and artistic heritage of the area. The detailed terracotta carvings on these structures portray a rich array of religious and cultural narratives, establishing their significance in India&#8217;s architectural and historical heritage.</p>						</div>
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			<p><strong>About the Author:</strong></p><p><strong>Author: Ishani Gupta</strong></p><p><span style="font-weight: 400">Ishani Gupta, is an editor and an independent researcher. She holds a degree in Manuscriptology &amp; Palaeography from IGNCA &amp; holds professional training in Archaeology &amp; Art Appreciation from Indian Museum, Kolkata. The allure of heritage deeply resonates with her, and she aspires to be a curator of such treasures. She believes that every story from the past is worth discovering.</span></p><p><span style="font-weight: 400">LinkedIn &#8211; </span><a href="https://www.linkedin.com/in/ishani33"><span style="font-weight: 400">https://www.linkedin.com/in/ishani33</span></a><span style="font-weight: 400">  </span></p>		
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		<title>Kohima War&#8230;</title>
		<link>https://kalabodh.com/kohima-war-cemetery-memorial/</link>
		
		<dc:creator><![CDATA[Ishani Gupta]]></dc:creator>
		<pubDate>Thu, 12 Jun 2025 04:46:23 +0000</pubDate>
				<category><![CDATA[Blogger Scholar]]></category>
		<guid isPermaLink="false">https://kalabodh.org/?p=7796</guid>

					<description><![CDATA[In the center of Kohima, the picturesque capital ...]]></description>
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                KOHIMA WAR CEMETERY / MEMORIAL
                
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							<p>In the center of Kohima, the picturesque capital of Nagaland, resides a grave site that resonates with bravery, selflessness, and the unyielding nature of the human spirit. Enter the Kohima War Cemetery, a touching tribute and a historically significant site that honors the Battle of Kohima. The backstory of this revered ground is both captivating and sorrowful. In the spring of 1944, during the Battle of Kohima, Allied troops engaged in a fierce confrontation with the Japanese, striving desperately to thwart their incursion into India. The conflict persisted for more than two months, transforming Kohima into a site of warfare. The Kohima War Cemetery was created to pay tribute to the soldiers who laid down their lives in this crucial battle, ensuring their legacy endures.</p>						</div>
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			<div class="elementor-image-box-wrapper"><figure class="elementor-image-box-img"><img loading="lazy" decoding="async" width="1024" height="696" src="https://kalabodh.com/wp-content/uploads/2025/06/1-3.jpg" class="attachment-full size-full wp-image-7797" alt="" srcset="https://kalabodh.com/wp-content/uploads/2025/06/1-3.jpg 1024w, https://kalabodh.com/wp-content/uploads/2025/06/1-3-300x204.jpg 300w, https://kalabodh.com/wp-content/uploads/2025/06/1-3-768x522.jpg 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure><div class="elementor-image-box-content"><p class="elementor-image-box-description">
Commonwealth War Graves Comission <br>https://www.cwgc.org/visit-us/find-cemeteries-memorials/cemetery-details/2058100/kohima-war-cemetery/ 
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							<p>Upon entering the cemetery, you are embraced by lush greenery that instills a feeling of serenity. This site, located on Garrison Hill, overlooks Kohima city and offers sweeping views of the neighboring hills and valleys. Yet, within the reverence, one can also appreciate the beauty present. Designed by Colin St. Claire Oakes, the cemetery honors 1,420 Commonwealth burials from World War II, along with one non-war burial. </p>						</div>
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							<p>As you arrive, take a moment to reflect on the memorial dedicated to the 2nd Division, which carries the poignant inscription: &#8220;When you go home, tell them of us and say, for your tomorrow, we gave our today. &#8221; The cemetery also includes a moving tribute to the 2nd Battalion, the Dorsetshire Regiment, along with several other regimental memorials positioned on and around Garrison Hill, fostering a tranquil space for contemplation and memory. </p>						</div>
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							<p>At the highest point in the cemetery lies the Kohima Cremation Memorial, dedicated to 917 Hindu and Sikh soldiers whose remains were cremated in accordance with their beliefs. After paying tribute, take some time to walk or drive around Kohima. Nearby stands the Cathedral Church, an impressive fusion of Gothic architecture and Naga design. Its colorful stained glass windows and serene setting make it a significant stop. A hike into the Dzükou Valley guarantees spectacular vistas of vibrant greenery and pristine streams surrounded by nature. In spring, the valley bursts into a spectacle of colorful flowers. The Naga Heritage Village provides an intriguing insight into the rich customs of Nagaland&#8217;s native tribes, allowing for meaningful interactions and a deeper appreciation of Nagaland&#8217;s culture. For those who love nature, a trek to the stunning Japfu Peak, the second-highest point in Nagaland, rewards adventurers with breathtaking panoramic vistas.</p>						</div>
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							<p>Regardless of when you choose to come, one truth remains: the memories created here will linger long after you leave. As you stroll among the gravestones, take a moment to commemorate those lost and contemplate the cost of freedom. In the center of Kohima, the exquisite capital of Nagaland, lies a grave site that resonates with bravery, sacrifice, and the unyielding human spirit.</p>						</div>
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			<div class="elementor-image-box-wrapper"><figure class="elementor-image-box-img"><img loading="lazy" decoding="async" width="512" height="360" src="https://kalabodh.com/wp-content/uploads/2025/06/3-1.png" class="attachment-full size-full wp-image-7803" alt="" srcset="https://kalabodh.com/wp-content/uploads/2025/06/3-1.png 512w, https://kalabodh.com/wp-content/uploads/2025/06/3-1-300x211.png 300w" sizes="(max-width: 512px) 100vw, 512px" /></figure><div class="elementor-image-box-content"><p class="elementor-image-box-description">Kohima Cremation Memorial <br>http://www.kohimamuseum.co.uk/memorials/ 
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							<p><span style="font-weight: 400;">Enter the Kohima War Cemetery, a touching memorial and a pivotal historical site that honors the Battle of Kohima. The story of this hallowed ground is both captivating and tragic. In the spring of 1944, during the Battle of Kohima, Allied troops engaged in a fierce confrontation with the Japanese, desperately striving to stop their push into India. The fighting persisted for more than two months, transforming Kohima into a battlefield. The Kohima War Cemetery was created to commemorate the soldiers who made the ultimate sacrifice in this crucial conflict, ensuring their legacy remains alive.</span></p>						</div>
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			<p><strong>About the Author:</strong></p><p><strong>Author: Ishani Gupta</strong></p><p><span style="font-weight: 400">Ishani Gupta, is an editor and an independent researcher. She holds a degree in Manuscriptology &amp; Palaeography from IGNCA &amp; holds professional training in Archaeology &amp; Art Appreciation from Indian Museum, Kolkata. The allure of heritage deeply resonates with her, and she aspires to be a curator of such treasures. She believes that every story from the past is worth discovering.</span></p><p><span style="font-weight: 400">LinkedIn &#8211; </span><a href="https://www.linkedin.com/in/ishani33"><span style="font-weight: 400">https://www.linkedin.com/in/ishani33</span></a><span style="font-weight: 400"> </span></p>		
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		<title>Jewish Footprint&#8230;</title>
		<link>https://kalabodh.com/jewish-footprint-in-the-city-of-joy/</link>
		
		<dc:creator><![CDATA[Ishani Gupta]]></dc:creator>
		<pubDate>Mon, 02 Jun 2025 04:09:00 +0000</pubDate>
				<category><![CDATA[Blogger Scholar]]></category>
		<guid isPermaLink="false">https://kalabodh.org/?p=7730</guid>

					<description><![CDATA[Jewish communities have resided in Kolkata for ...]]></description>
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                JEWISH FOOTPRINT IN THE CITY OF JOY
                
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							<p>Jewish communities have resided in Kolkata for hundreds of years, with the first Jewish immigrants arriving in the city around 1798. These early settlers, primarily Baghdadi Jews originating from Iraq and various regions of the Middle East, rapidly formed a vibrant Jewish community by establishing businesses and places of worship like synagogues. The once-thriving Jewish community in Kolkata has made a noticeable impression on the city. Several notable structures in Kolkata, such as Esplanade Mansions near Government House, Chowringhee Mansions, Bamboo Villa, Sri Aurobindo Bhavan, and the Norton Building, were constructed by the Jewish community, underscoring their significant influence in Kolkata during the 18th and 19th centuries. </p>						</div>
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							<p>Pic 1 David Sassoon | Attribution: Arnold Wright, Public domain, via Wikimedia Commons</p><p>Pic 2 Ruth Prawer Jhabvala | Attribution: Gotfryd, Bernard, photographer, Public domain, via Wikimedia Commons</p>						</div>
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							<p>The city has hosted influential Jewish personalities from Sir David Sassoon to Ruth Prawer Jhabvala, each contributing significantly to both the Jewish experience and Indian film. Currently, tourists can delve into this vibrant heritage by touring locations like the Jewish Quarter or participating in festivities such as the Purim Carnival and Masquerade Ball, which joyfully honor Jewish traditions.</p>						</div>
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							<p>Three stunning synagogues exist (with two recognized as Grade 1 Heritage monuments by the Archaeological Survey of India), alongside two educational institutions, a cemetery, and numerous properties linked to these synagogues. A significant property located in Barrackpore, held in trust for the Jewish Boys School, is highly valuable and entrusted to the Official Trustee of Bengal for educational use. The Gubbay and Ezra Houses within the Kolkata Zoo are widely recognized, along with the Ezra Building at Calcutta Medical College. Ezra Street in Burrabazar honors the city’s merchant prince, Sir David Ezra. In Tikiapara, Howrah, one can find Bellilios Road and Bellilios Park. Businessman Emanuel Raphael Belilios departed from Calcutta for Hong Kong in the early 1860s, establishing himself as one of the merchant princes there.</p>						</div>
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			<div class="elementor-image-box-wrapper"><figure class="elementor-image-box-img"><img loading="lazy" decoding="async" width="1600" height="1200" src="https://kalabodh.com/wp-content/uploads/2025/06/2.png" class="attachment-full size-full wp-image-7739" alt="" srcset="https://kalabodh.com/wp-content/uploads/2025/06/2.png 1600w, https://kalabodh.com/wp-content/uploads/2025/06/2-300x225.png 300w, https://kalabodh.com/wp-content/uploads/2025/06/2-1024x768.png 1024w, https://kalabodh.com/wp-content/uploads/2025/06/2-768x576.png 768w, https://kalabodh.com/wp-content/uploads/2025/06/2-1536x1152.png 1536w, https://kalabodh.com/wp-content/uploads/2025/06/2-600x450.png 600w" sizes="(max-width: 1600px) 100vw, 1600px" /></figure><div class="elementor-image-box-content"><p class="elementor-image-box-description">The Beth El Synagogue in Kolkata. Credit: Tarunsamanta, CC BY-SA 4.0, via Wikimedia Commons.</p></div></div>		</div>
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							<p>The Jewish Quarter in Kolkata stands as a tribute to the city&#8217;s rich Jewish legacy. Situated centrally, this area has hosted the Jewish community for many years and is abundant with sites of cultural and religious significance. The Jewish Quarter is home to multiple synagogues, educational institutions, cemeteries, shops, and various establishments frequented by Jews across India. Notably, it houses prominent Jewish personalities who lived or passed away in the area, including Sir Elijah Moses Mocatta and Rabbi Solomon David Sassoon.</p>						</div>
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							<p>Neveh Shalome Synagogue is a place of Jewish worship found in Kolkata&#8217;s Jewish Quarter. Established in 1884, it ranks among the oldest synagogues in India and has played a vital role in Jewish life since its inception. Today, it acts as a spiritual refuge for numerous Jews residing in Kolkata and remains a venue for religious services on specific days throughout the year. The synagogue also organizes unique events like lectures, concerts, and exhibitions that honor Jewish heritage and culture.</p>						</div>
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							<p><span style="font-weight: 400;">The Jewish Cemetery of Kolkata is an important historical site that highlights the long-standing presence of the Jewish community in the city. Located adjacent to the Jewish Quarter, this cemetery, which dates back to 1864, contains numerous graves that narrate the history of Jewish life in Kolkata over the decades. </span></p>						</div>
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			<div class="elementor-image-box-wrapper"><figure class="elementor-image-box-img"><img loading="lazy" decoding="async" width="512" height="286" src="https://kalabodh.com/wp-content/uploads/2025/06/4.png" class="attachment-full size-full wp-image-7747" alt="" srcset="https://kalabodh.com/wp-content/uploads/2025/06/4.png 512w, https://kalabodh.com/wp-content/uploads/2025/06/4-300x168.png 300w" sizes="(max-width: 512px) 100vw, 512px" /></figure><div class="elementor-image-box-content"><p class="elementor-image-box-description">Jewish Cemetery of Kolkata | Attribution: Rangan Datta Wiki, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons</p></div></div>		</div>
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							<p>Every year, the Jewish community of Kolkata joyously commemorates the holiday of Purim with a lively carnival and masquerade ball. This festive event takes place at various venues around the city, drawing in both Jewish and non-Jewish attendees. The carnival showcases traditional Jewish cuisine, music, dance performances, games for children, and costume contests that reveal imaginative outfits from participants. Guests can also partake in diverse attractions, including art displays, puppet performances, and magic shows to keep the atmosphere lively throughout the day. As night falls, the celebrations peak in a lavish Masquerade Ball, where attendees don intricate costumes inspired by beloved characters from Jewish folklore and literature.</p><p>Today, even though the number of Jews present are less than 100 and most of them are aging citizens, the Jewish community in Kolkata presents a distinctive and captivating narrative of perseverance, achievement, and endurance. </p>						</div>
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			<p><strong>About the Author:</strong></p><p><strong>Author: Ishani Gupta</strong></p><p><span style="font-weight: 400">Ishani Gupta, is an editor and an independent researcher. She holds a degree in Manuscriptology &amp; Palaeography from IGNCA &amp; holds professional training in Archaeology &amp; Art Appreciation from Indian Museum, Kolkata. The allure of heritage deeply resonates with her, and she aspires to be a curator of such treasures. She believes that every story from the past is worth discovering.</span></p><p><span style="font-weight: 400">LinkedIn &#8211; </span><a href="https://www.linkedin.com/in/ishani33"><span style="font-weight: 400">https://www.linkedin.com/in/ishani33</span></a> </p>		
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		<title>LONGPI : A TALE&#8230;</title>
		<link>https://kalabodh.com/longpi-a-tale-of-black-pottery-from-manipur/</link>
		
		<dc:creator><![CDATA[Ishani Gupta]]></dc:creator>
		<pubDate>Thu, 08 May 2025 12:56:02 +0000</pubDate>
				<category><![CDATA[Blogger Scholar]]></category>
		<guid isPermaLink="false">https://kalabodh.org/?p=7456</guid>

					<description><![CDATA[The Manipur Longpi Black Pottery collection represents an...]]></description>
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                LONGPI : A TALE OF BLACK POTTERY FROM MANIPUR
                
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							<p>The Manipur Longpi Black Pottery collection represents an extraordinary blend of tradition, artistry, and cultural legacy. Produced in the state of Manipur, India, this style of pottery carries significant historical value that spans centuries. Longpi Black Pottery is distinguished by its unique black hue and the innovative techniques utilized in its creation. Crafted by firing clay composed of two different stone varieties, this remarkable cookware is recognized for its high iron content and its effectiveness in eliminating germs in prepared food more rapidly than typical cooking vessels. The collection showcases a stunning range of both functional and ornamental items, demonstrating the adaptability of this age-old craft. From vessels and bowls to decorative vases and tea sets, each piece is carefully handmade by skilled craftsmen who have perfected their craft over many generations. </p>						</div>
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			<div class="elementor-image-box-wrapper"><figure class="elementor-image-box-img"><img loading="lazy" decoding="async" width="512" height="342" src="https://kalabodh.com/wp-content/uploads/2025/05/1-1.png" class="attachment-full size-full wp-image-7457" alt="" srcset="https://kalabodh.com/wp-content/uploads/2025/05/1-1.png 512w, https://kalabodh.com/wp-content/uploads/2025/05/1-1-300x200.png 300w" sizes="(max-width: 512px) 100vw, 512px" /></figure><div class="elementor-image-box-content"><p class="elementor-image-box-description">Longpi Pottery  https://ukhrul.nic.in/gallery/longpi-nungbi-pottery/ 
 
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							<p><span style="font-weight: 400;">This time-honored art form has its roots in two villages of Longpi in Manipur, specifically Longpi Khullen and Longpi Kajui, located near the Ukhrul district. It is predominantly practiced by the Tangkhul community that resides in the hilly area of Manipur. Longpi pottery is created using a blended paste of finely ground black serpentine stone and a specific type of brown clay exclusive to Longpi village. The pots are shaped by hand, polished, sun-dried, and then subjected to a bonfire for heating. The distinctive black shade of Longpi hampai is produced through the reduction firing process, and the glossy finish is achieved by polishing the heated earthenware with leaves from local trees. Unlike the majority of pottery techniques, Longpi Hampai does not rely on a potter’s wheel for shaping. The entire method is quite laborious, and although it is primarily men who create the pottery, women also play a significant role! It is encouraging to observe that the younger generation is showing enthusiasm for the craft and is eager to continue this valuable tradition.</span></p>						</div>
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			<div class="elementor-image-box-wrapper"><figure class="elementor-image-box-img"><img loading="lazy" decoding="async" width="512" height="384" src="https://kalabodh.com/wp-content/uploads/2025/05/2.png" class="attachment-full size-full wp-image-7468" alt="" srcset="https://kalabodh.com/wp-content/uploads/2025/05/2.png 512w, https://kalabodh.com/wp-content/uploads/2025/05/2-300x225.png 300w" sizes="(max-width: 512px) 100vw, 512px" /></figure><div class="elementor-image-box-content"><p class="elementor-image-box-description">Longpi Pottery https://ukhrul.nic.in/gallery/longpi-nungbi-pottery/ </p></div></div>		</div>
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							<p>As dawn arrives in Longpi, the Tangkhul men prepare to engage with the earth, crafting various types of pottery intended for markets nationwide. Similar to other areas within the state, the prevalent technique of beaten pottery is practiced here in Longpi. Even today, Tangkhul artisans employ traditional methods for pottery creation, with minor updates in the tools utilized. The village is rich in serpentine stone, known locally as lishong lung, which is essential for producing ham. This geological resource is abundant, with the rock often visible above ground. Residents gather this stone from the nearby Kaphung Reim hill.</p>						</div>
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							<p>From September to March, villagers dedicate their efforts to excavating the rock and conserving it for use during the lengthy monsoon period. After the stone is crushed into powder, it is combined with clay, referred to as ngalung. This initiates the shaping and beating of various forms, as described by Bower, which are subsequently sun-dried, known in Tangkhul as zingham li kaphui. The pieces are then stored on a shelf above the kitchen hearth, termed ham kashar in Tangkhul, before they are finally fired, a process called ham kharui. Once fired, the pottery is polished using thingnga, the dried leaf of the Chirona tree, imparting a silky sheen to the finished items.</p>						</div>
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			<div class="elementor-image-box-wrapper"><figure class="elementor-image-box-img"><img loading="lazy" decoding="async" width="512" height="288" src="https://kalabodh.com/wp-content/uploads/2025/05/3.png" class="attachment-full size-full wp-image-7475" alt="" srcset="https://kalabodh.com/wp-content/uploads/2025/05/3.png 512w, https://kalabodh.com/wp-content/uploads/2025/05/3-300x169.png 300w" sizes="(max-width: 512px) 100vw, 512px" /></figure><div class="elementor-image-box-content"><p class="elementor-image-box-description">President Droupadi Murmu confers Padma Shri on craftsman Machihan Sasa during the Padma Awards 2024 ceremony at Rashtrapati Bhavan, in New Delhi. Credit: PTI Photo</p></div></div>		</div>
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							<p>In a significant tribute to cultural preservation, Machihan Sasa, known as the &#8220;Earthen Alchemist,&#8221; has been honored with the esteemed Padma Shri award for his exceptional dedication to protecting and rejuvenating the ancient Longpi (Nungbi) Pottery tradition. This recognition, granted by the Government of India, underscores Machihan Sasa&#8217;s extraordinary contributions to a craft that dates back to the Neolithic era, with its origins extending to around 10,000 BC.</p>						</div>
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			<p><strong>About the Author:</strong></p><p><strong>Author: Ishani Gupta</strong></p><p><span style="font-weight: 400">Ishani Gupta, is an editor and an independent researcher. She holds a degree in Manuscriptology &amp; Palaeography from IGNCA &amp; holds professional training in Archaeology &amp; Art Appreciation from Indian Museum, Kolkata. The allure of heritage deeply resonates with her, and she aspires to be a curator of such treasures. She believes that every story from the past is worth discovering.</span></p><p><span style="font-weight: 400">LinkedIn &#8211; </span><a href="https://www.linkedin.com/in/ishani33"><span style="font-weight: 400">https://www.linkedin.com/in/ishani33</span></a><span style="font-weight: 400"> </span></p>		
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